Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. The outbreak of World War I in 1914 disrupted the life and work of Juan Gris. 13, 24, 25 (fig. (Paris: Paris Musées, 2000), pp. Cox, Neil, Cubism (London: Phaidon, 2000), pp. Rosenblum, Robert, Cubism and Twentieth-Century Art (New York: Harry N. Abrams, 1960), pp. In Paris, he encountered some of the leading artists of the emerging avant-garde scene including Henri Matisse, Georges Braque, and Pablo Picasso, as well as American writer Gertrude Stein, who would become a collector of Gris' work. (pl. 33, Braque/Léger (Japan: Shogakukan, 1978), n.p. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. The 1915 "Still Life with Checkered Tablecloth" illustrates the change. Silver, Kenneth, “Eminence Gris,” Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912. 113), 207 (ill.), 215, 222, as Homage to Pablo Picasso, 1912. 5. ThoughtCo, Aug. 28, 2020, thoughtco.com/juan-gris-4707826. cat. 15.4, ill.), as Portret van Picasso, 1912. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. (fig. Das Stillleben ist ungewöhnlich und malerisch, mit Akkorden der Romantik. cat. 225; traveled to New York, Metropolitan Museum of Art, April 7–June 7, 1971. 40, ill.), as Portait of Pablo Picasso, 1912. (Bern: Kunstmuseum, 1955), n.p. 1912 veränderten Picasso, Braque und in deren Folge auch Juan Gris ihre künstlerische Gestaltungsweise. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. He traveled to Bandol on the southeastern coast of France to recuperate. Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. (cat. 378), as Bildnis Pablo Picasso. Buffalo Fine Arts Academy, The Art of Today, exh. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive. The work is currently in the … 14 (ill.), 16–20, 129, as Hommage à Pablo Picasso, 1912. Gegen Ende dieser Phase des Kubismus begann Juan Gris Beiträge zum Stil zu machen: er eine spitze Formen Klarheit gehalten, sofern Vorschläge eines kompositorischen Raster und stellte mehr Farbe, was ein strenger und einfarbiger Stil gewesen war. Sidney Janis Gallery, Ten Years of Janis, exh. In 1911, Juan Gris began to seriously focus on his painting. Galerie Alfred Flechtheim, In Memoriam Juan Gris, 1887-1927, exh. cat. 200–201, no. Der synthetische Kubismus hielt bis in die Zeit nach dem Ersten Weltkrieg an. There, he met Russian ballet patron Serge Diaghilev, founder of the Ballets Russes. 72 (ill.), 73, as Portrait of Pablo Picasso, 1912. (47.8 x 31.5 cm.) Wheeler, Monroe, 20th century Portraits, exh. Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912. Darüber hinaus beeinflusste der synthetische Kubismus … Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine) Date: Paris, 1914 Medium: Conté crayon, gouache, oil, wax crayon, cut-and-pasted printed wallpapers, printed white wove paper, newspaper, white laid and wove papers on canvas; subsequently mounted to a honeycomb panel 7 (ill.); traveled Cologne, Wallraf-Richartz Museum, December 28, 1965–February 13, 1966, as 1911/12. Apollinaire, Guillaume, The Cubist Painters, translated, with commentary, by Peter Read (Berkeley: University of California Press, 2004), p. 169, as Homage to Picasso. Vézelay, Paul, “Juan Gris,” Artwork 4, 16 (Winter 1928), p. 259 (ill.), as Portrait of Picasso, 1912. Kunsthaus Zurich, Juan Gris, exh. 9, 64 (ill.), 66, as Homage à Picasso. Includes 17 illustrations with 13 in color. (Freiburg: Städtische Museen, Museum für Neue Kunst, 1992), p. 46 (ill.). Apollinaire, Guillaume, “Les Salon des Indépendants,” L’Intransigeant (March 25, 1912), as Hommage à Picasso. So wird ferner der synthetische Kubismus … Kubistisches Porträt von Pablo Picasso gemalt von Juan Gris im Jahre 1912. 7, ill.), as Hommage à Pablo Picasso, 1911. 79, ill.), as Portait of Picasso, 1912. (fig. 28 (fig. 22, ill.), 92, as Omaggio a Pablo Picasso, 1912. 8), 123 (ill.), as Retrato de Pablo Picasso (Hommage à Pablo Picasso), 1912. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. Schmidt, Georg, Juan Gris und die Geschichte des Kubismus (Baden-Baden: Woldemar Klein, 1957), p. 18, as Bildnis Picasso, 1912. Cottington, David, Cubism (Cambridge: Cambridge University Press, 1998), pp. Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. Steinberg, Leo, “La fin de partie de Picasso,” Les Cahiers du Musée national d’art moderne 27 (Spring 1989), pp. 122, ill.), as Portrait of Picasso, 1912. 4, ill.), 122 (cat. 94), as Portait of Picasso (Hommage à Picasso), 1912. Maxon, John, The Art Institute of Chicago (New York: Harry N. Abrams, 1970), pp. Salazar, María José, Juan Gris 1887–1927, exh. Tiberi, Jean, L’École de Paris, 1904–1929: la part de l’autre, exh. Institute of Contemporary Art, The Image Lost and Found, exh. Penrose, Roland, Portrait of Picasso (London: Lund Humphries, 1956), p. 39 (fig. Alles Wichtige zu Leben, Werk und Kunststil dieser beeindruckenden Persönlichkeit. 48 (pl. Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. He was an outstanding student, but his heart was not in academia. Internationale Kunstausstellung, Internationale kunst ausstellung Dresden, exh. (Madrid: Museo Nacional Centro de Arte Reina Sofía. Galerie Simon, Exposition Rétrospective Juan Gris (1887-1927), exh. 16 (ill.), 17 (detail), 63, as Retrato de Pablo Picasso, 1912. Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. 10, 11 (ill.), as Portrait of Picasso. During the period, Gris contributed satirical drawings to a wide range of Parisian journals. Biography of Georges Braque, Pioneer Cubist Painter, Biography of Eva Gouel, Muse and Mistress of Pablo Picasso, Biography of Charles Sheeler, Precisionist Painter and Photographer, Picasso's Women: Wives, Lovers, and Muses, Life and Work of Joan Miró, Spanish Surrealist Painter, Biography of Marsden Hartley, Modernist American Painter and Writer, Life and Work of Piet Mondrian, Dutch Abstract Painter, Top 12 Greatest Visual Artists of All Time, Biography of Hans Hofmann, Abstract Expressionism Pioneer, Biography of Salvador Dalí, Surrealist Artist, M.L.S, Library Science, Indiana University. 9), as Portrait von Picasso (Hommage à Picasso), 1911/12. Freiburg im Breisgau, Friedrichsbau, Die Meister Französischer Malerei der Gegenwart, October 20–November 23, 1947, p. 48, cat. (2020, August 28). 31, ill.), 25, 92, 94, 252, as Homage to Pablo Picasso, 1912. Hoffman, Edith, “Juan Gris at the Orangerie,” Burlington Magazine 141, 855 (June 1974), p. 357. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. Larson, Kay, “The Genius of Gris,” New York Magazine (June 11, 1984), p. xx, as Portrait of Picasso, 1912. 123, ill.), 197, as Retrato de Picasso, 1912. (New York: Sidney Janis Gallery, 1958), n.p. 47 (fig. 5.1, ill.), 149, as Homage to Pablo Picasso, 1912. 11, ill.), 48, as Portrait of Pablo Picasso. Er entstand aus einer Bewegung der Avantgarde in der Malerei ab 1906 in Frankreich. no. Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 56 (no. 33, ill.), 211 (cat. Juan Gris, Sohn eines wohlhabenden Kaufmanns, wurde am 23. Gris fügte die neuen Gestaltungsprinzipien des Kubismus in ein rationales System ein und war zeit seines Schaffens bemüht, sein künstlerisches Vorgehen auch theoretisch zu vermitteln. Pablo Picasso, Georges Braque, Juan Gris und die Puteaux-Gruppe zählen zu den prominentesten Vertretern, die beiden ersteren gelten als Begründer der Kubismus Kunst. Malen Kubistische Zeichnung … 21 (ill.), as Hommage à Picasso. Frontisi, Claude, “La peinture lucide de Juan Gris,” in Hommage a Juan Gris (1887–1927): Centenaire de sa naissance (Paris: L’Avenir Graphique, 1987), p. 15, as Hommage à Picasso. Rosenberg, Charles M., “Cubist Object Treatment: A Perceptual Analysis,” Artforum 9, 8 (April 1971), pp. 20 (cat. (fig. 8 (ill.). Golding, John, “Shorter Notices: Juan Gris at Berne,” Burlington Magazine 97, 633 (December 1955), p. 385, as Hommage à Picasso, 1912. 43, ill.), as Portrait de Picasso, 1912. In dieser Phase verwendeten die Kubisten nun auch Objekte, die nicht zusammengehörten, ließen diese jedoch ineinander fließen. Paris, Musée d’Art Moderne de la Ville de Paris, L’Ecole de Paris, 1904–1929: la part de l’Autre, November 30, 2000–March 11, 2001, pp. He delivered the lecture, "Des possibilites de la peinture" at the Sorbonne in 1924. After adopting the name Juan Gris in 1905, the artist moved to Paris, France. Woolf, S. J. , “Its Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius,” New York Times (November 15, 1936), p. SM9 (ill.). 4, and 122–123, cat. Galerie Louise Leiris, Paris, by February 1948 [Basel 1948]; sold to Buchholz Gallery, New York, by May 1949 [New York 1949; letter from Kahnweiler of December 2, 1975 in curatorial file]. 144, 145 (fig. Der Sonnenblind von Juan Gris (1914) Aria de Baq von Georges Braque (1913) Was sind die Ähnlichkeiten zwischen analytischem und synthetischem Kubismus? (pl. Juan Gris, Sohn eines wohlhabenden Kaufmanns, wurde am 23. Wood, James N. and Katharine C. Lee, Master Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1988), p. 117 (ill.), as Portrait of Picasso, 1912. His work followed the development of the style through all of its stages. 2 (Munich: Prestel-Verlag, 1974), p. 560, as Figure. During the period, Gris enjoyed the greatest fame that he would know during his lifetime. Galerie Georges Petit, Cent ans de peinture française, exh. 103. Demonstrate how to show multiple views of one object, fractured planes, collage techniques, and wood grained textures. Fels, Florent, L’art vivant de 1900 à nos jours (Geneva: Pierre Cailler, 1950), p. 235 (ill.), as Portrait de Picasso. (Dresden: Internationale Kunstausstellung, 1926), p. 66 (cat. Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. 378. In 1916, Gris signed a contract with French art dealer Leonce Rosenberg which helped solidify his financial future. Juan Gris et Foredrag (Copenhagen: Wivels Forlag, 1946), n.p. Vauxcelles, Louis, “Au Salon des Indépendants,” Gil Blas (March 19, 1912), as Hommage à Piccasso. Alles Wichtige zu Leben, Werk und Kunststil dieser beeindruckenden Persönlichkeit. (Bern: Kunsthalle, 1948), n.p. Orangerie des Tuileries, Juan Gris, exh. “Juan Gris,” Cahiers d’Art 5–6 (1933), n.p. Signed and inscribed, l.r. Sidney Janis Gallery, Cubism 1910-1912, exh. cat. New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. 225, ill.), 201, 287, as Portrait of Picasso, 1912. Fosca, François, Bilan du cubisme (Paris: Bibliothèque des arts, 1956), p. 40, as Portrait de Picasso, 1912. cat.. New York, Museum of Modern Art, Juan Gris, April 9–June 1, 1958, pp. (London: Alex Reid and Lefevre, 1938), n.p. (fig. cat. (Baden-Baden: Woldemar Klein, 1948), pp. B. Schiratzki, Der Querschnitt 5, 1 (January 1925), p. 33 (ill.), as Bildnis Picasso, 1910. 26, 94, fig. Er war das dreizehnte von vierzehn Kindern. Juan Gris (1887-1927) was a Spanish painter who lived and worked in Paris, France, for most of his adult life. General admission tickets are sold out. 3, ill.), as Retrato de Picasso. Mä goht vom sogenannte Frühekubismus us und underscheidet in dr Stilrichdig vom Kubismus im Allgemeine no dr analytisch, dr synthetisch und dr orphisch Kubismus. cat. 306, 320 (cat. 4, ill.), as Hommage à Pablo Picasso, 1912. Object information is a work in progress and may be updated as new research findings emerge. Sold by Jacques Seligmann and Co., New York to Leigh Block, Chicago, June 1949 [Block Collection Card in curatorial file]; given to the Art Institute, 1958. Parinaud, Andre, “Les Independants, la critique et la presse: L’affirmation de la modernité, 1884-1914,” in Un siècle d’art moderne: L’Histoire du Salon des Independants, 1884-1984 (Paris: Éditions Denoël, 1984), p. 105, as Hommage à Picasso. Gertrude Stein provided him with financial assistance, and he spent time at Henri Matisse's studio in the south of France. 151, 179–181, 291 (no. Seine maßgebenden Begründer sind Pablo Picasso und Georges Braque. 41, as Hommage à Picasso. 190, 320 (fig. 3, ill.), as Portrait of Picasso, 1912. Juan Gris: Liste der werke - Alle Kunstwerke nach Datum 1→10. 41), as Hommage à Picasso, 1912. (cat. Künstler von Salvador Dali bis Joseph Cornell würdigten die Innovationskraft von Juan Gris. 33. (Bochum: Museum, 1981), n.p. 2, 1907–1917 (New York: Random House, 1996), pp. Lamb, Bill. Etienne Bignou, Paris.”, Buffalo Fine Arts Academy, Albright Art Gallery, The Art of Today, January 3–31, 1936, p. 7, cat. Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. 1426, as Figure. 29, 42, 48 (fig. Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. 198, 199 (ill.), 341, as Hommage à Pablo Picasso, 1912. His early cubist works are in the style of analytical cubism pioneered by Picasso and Braque. ‘Newspaper and Fruit Dish’ was created in 1916 by Juan Gris in Synthetic Cubism style. by Franca Minoia (Milan: Il Balcone, 1945), p. 141 (ill.), as Omaggio a Picasso, 1911. 47, as “Collection Etienne Bignou Gallery.”. ThoughtCo. cat. (cat. Green, Christopher, Art in France 1900–1940 (New Haven, Conn.: Yale University Press, 2000), pp. Just six years later, Gris too was known as a Cubist and identified by at least one critic as "Picasso’s disciple." Juan Gris' simplification of the geometrical structure of his paintings in late 1916 is a distilled version of cubism. 185, 193, 194 (fig. (New York: Sidney Janis Gallery, 1956), n.p. Cooper, Douglas, Juan Gris : catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. 114, 115 (ill.), as Portrait of Picasso, 1912. Juan Gris died of kidney failure at age 40 in 1927. London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. 5), as Portrait de Pablo Picasso, 1912. Keller, Horst, “Sieg der Malerei über die Welt: Juan Gris,” Köln 4:65 (December 1965), n.p. New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. Green, Christopher and Christian Derouet, Karin von Maur, Juan Gris, exh. Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. 2001), p. 91, 104 (ill.), 106 (ill.), as Homenaje a Picasso. (Berlin: Galerie Alfred Flechtheim, 1930), n.p. (cat. 26, 94 (fig. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. Cabanne, Pierre, Le siècle de Picasso, vol. (ill.), as Portrait de Picasso, 1912. Caroli, Flavio, Primitivismo e cubismo (Milan: Fratelli Fabbri, 1977), pp. (Marseille: Musée Cantini, 1998), pp. (New York: Buchholz Gallery, 1949), n.p. 41 (fig. cat. Museo Nacional de Bellas Artes, Juan Gris en Buenos Aires, exh. Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. Bill Lamb is a music and arts writer with two decades of experience covering the world of entertainment and culture. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. Art Institute, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. Wood, James N. and Teri J. Edelstein, Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago: Art Institute, 1993), p. 249 (ill.), as Portrait of Pablo Picasso, 1912. Cooper, Philip, Cubism (London: Phaidon, 1995), pp. 6, ill.), 36, as Portrait of Picasso. “Two New Cubist Paintings by Juan Gris and Pablo Picasso,” Bulletin of the Cleveland Museum of Art 68, 2 (February 1981), pp. Dr Kubismus isch e Sammelbezeichnig, wo in dr Kunstgschicht bruucht wird, für e zentrali Bewegig vo dr französische Avantgarde, wo sich in dr Moolerei entwicklet und in de Wärk vom Pablo Picasso und vom Georges Braque noch 1907 zeigt het, aber au d Plastik beiiflusst het. cat. Juan Gris - Sein Leben | Moderne Kunst - verstehen! Öl auf Leinwand. 26 (cat. Burlington Magazine 143, 885 (December 1976), p. 878 (fig. (ill.). Derouet, Christian, Correspondances avec Léonce Rosenberg, 1915-1927 (Paris: Centre Pompidou, 1999), p. 13, as Hommage à Picasso. Pablo Picasso und … 11, 21, and 76, cat. Juan Gris, der berühmte spanische Kubist. 30i. cat. V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. Albright-Knox Art Gallery, Painters of the Section d’Or: the Alternatives to Cubism, exh. Seine Verwendung von Markenlogos und Zeitungspapier antizipierte die Entwicklungen der Pop Art eine Generation später. cat. 1, ill.), as Portrait of Pablo Picasso, 1912. (Baden-Baden: Kunsthalle, 1974), pp. (Dortmund: Museum am Ostwall, 1965), n.p. Drawn in 1916 Provenance Galerie Jeanne Bucher, Paris. Show and discuss segments of a video if available. Das offene Fenster, 1921 von Juan Gris als Kunstdruck kaufen. 8, ill.), 76 (ill.), as Portrait de Picasso/Hommage à Pablo Picasso, 1912. 18, 20, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958. C 13). D’Alessamdro, Stephanie, Matisse: Radical Invention 1913-1917, exh. 86 (fig. cat. Etienne Bignou (1891-1950), Paris and Bignou Gallery, New York, by April 1933 (possibly as early as June 1930 to at least April 1946) [Zurich 1933 and Paris 1930; letters to Bignou from Alex Reid and Lefevre March 22 and April 18, 1946]. 108, pl. 15, 164, 172, 299, 305, 313, pl. (39 x 28.2 cm.) : "Hommage á Pablo Picasso/Juan Gris". Jahrhundert (Berlin: Reimer, 1998), pp. (Madrid: Galería Theo, 1977), n.p. In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. Barr, Alfred H., Jr. et al., Cubism and Abstract Art, exh. (New York: Museum of Modern Art, 1989), p. 389, as Portrait of Picasso. Martini, Alberto, Picasso e il cubismo (Milan: Fratelli Fabbri, 1967), pp. Hochwertige Museumsqualität aus österreichischer Manufaktur. cat. Weitere Ideen zu kubismus, kunstproduktion, kunststile. (fig. "Still Life with Checkered Tablecloth" (1915). 205, 206 (fig. 14, 15–18, 25, 29–30, 43, 45, 115, 118–119, 120, 172 (pl. Pick Reference Number 1963.402 Extended information about this artwork Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. Galería Theo, Juan Gris, exh. Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. Man unterscheidet vor allem zwei Stile: den analytischen und den synthetischen Kubismus. Show and discuss segments of a video if available. Born in Madrid, Spain, Juan Gris studied engineering at the Madrid School of Arts and Sciences. Los Angeles County Museum of Modern Art, The Cubist Epoch, December 15, 1970–February 2, 1971, pp. 24–25, 152, and 177, cat. Frascina, Francis, Cubism: Picasso and Braque (Great Britain: The Open University, 1983), pp. (Madrid: Ministerio de Cultura, 1985), pp. Juan Gris' simplification of the geometrical structure of his paintings in late 1916 is a distilled version of cubism. Juan Gris Title Still Life Origin Spain Date Made 1919 Medium Watercolor, heightened with lead white, over graphite on ivory wove paper Inscriptions Signed recto, lower left, in graphite: "Juan Gris/1919" Dimensions 272 × 218 mm (max.) Der analytische Kubismus neigte dazu, expressive Werte aus den Augen zu verlieren, mit Ausnahme von Maßstäben, die zu esoterisch waren, um für jeden, der nicht in die Bewegung einbezogen war, viel zu bedeuten. Artists ranging from Salvador Dali to Joseph Cornell acknowledged their debts to the innovations of Juan Gris. Speyer, A. James “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912. He also participated in the final major exhibit of cubist painters at the Salon des Independents in Paris in 1920. Nishimura, Toshio (ed. cat. 35 (fig. Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. Richardson, John, A Life of Picasso, vol. 9 (ill.), as 1911-12. (Boulogne-Billancourt: Musée Municipal, 1987), p. 54, as Un Hommage. Das Berliner Programm (Berlin, 1930) (ill.). cat. Rubin, William, Picasso and Braque: Pioneering Cubism, exh. 9, 63–65, n.p. Das Bild entstand im Genre des „synthetischen“ Kubismus mit Öl auf Leinwand. (London: Whitechapel Art Gallery, 1992), pp. Museum am Ostwall, Juan Gris, exh. Der synthetische Kubismus geht seinen Weg entgegen seinem stilistischen Vorgänger vom Abstrakten zum Konkreten. ), Braque et le cubisme (Tokyo: Chuokoron-Sha, 1973), n.p. New York, Saidenberg Gallery, Hommage à Kahnweiler, May 13–June 8, 1957, no. 11, 21 (cat. Aznar, José Camón, Picasso y el cubismo (Madrid: Espasa-calpe, 1956), pp. cat. Mit oder ohne Gemälderahmen. Lamb, Bill. Cogniat, Raymond, Les Créateurs du Cubisme, exh. More major international exhibitions followed from 1923 through 1925. In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. 70 drei x zweiundneunzig cm. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. Designed by Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine) 1955 Costume Design for the Shepherdess, for the Ballet 'Les Tentations de la Bergère, premiered at the Théâtre de Monte Carlo, 1924 cat. Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912. 65, 66 (ill.), 67, as Portrait of Pablo Picasso, 1912. His initial works reflect the emerging cubist style. Während Pablo Picasso und Georges Braque für die Entwicklung des Kubismus Anerkennung erhalten, ist Juan Gris einer der bedeutendsten Künstler, der seine Karriere der Entwicklung der Theorien dieser Bewegung widmete. (Boston: Institute of Contemporary Art, 1960), pp. Musée Municipal de Boulogne-Billancourt, Juan Gris: et les dimanches de Boulogne, exh. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. (cat. (cat. (New York: Abbeville Press, 1983), pp. 13), 27 (ill.), as Hommage à Picasso (Portrait of Pablo Picasso), January-February 1912. Kubismus je avantgardní umělecké hnutí přelomu 19. a 20. století, které pojímá výtvarné umění revolučním způsobem. 8 (ill.). Zienderogen kunst voor de basisvorming (Malmberg den Bosch: Onderbouwdeel VBO/MAVO, 1993), p. 62 (fig. Dresden, Internationale Kunstausstellung, June–September 1926, cat. Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. Metropolitan Museum of Art / Wikimedia Commons / Creative Commons 1.0. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912. To help improve this record, please email . Many observers see the technique as the logical extension of developments in cubism. It outlined his major aesthetic theories. Unfortunately, Gris' health continued to decline. Daix, Pierre, Dictionnaire Picasso (Paris: Robert Laffont, 1995), p. 419, as Portait de Picasso, 1912. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p.